One practice, many materials
Why I move between oil, acrylic, graphite, murals and signwriting, and why each material changes what I notice in the next piece.
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Notes from the practice.
A space for process, materials, commissions and the quieter ideas behind the work.
A portrait begins with listening
A good reference image matters, but the strongest commissions begin with the story someone wants the artwork to carry long after it is finished.
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Art beyond the studio wall
Murals and hand-painted lettering have changed how I think about scale, colour, collaboration and the everyday life of an image.
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